The Actor's Wheel of Connection: How to Integrate Your Skills and Refine Your PerformanceSmith and Kraus, 2005 - 160 Seiten Richard Brestoff's new book uses the image of the wheel with six spokes to examine the craft of acting. These six spokes represent an actor's connection to self, others, circumstances, text, character, and audience. Each point of connection is examined and experienced through specific exercises, always keeping in mind that when the wheel is in motion, the spokes disappear, as all great acting must. Richard Brestoff is also the author of The Great Acting Teachers and Their Methods (ISBN 1-57525-0128) and The Camera Smart Actor (ISBN 1-880399-76-8). |
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Seite 12
How to Integrate Your Skills and Refine Your Performance Richard Brestoff. EMOTION Emotion is God's breath in a part . -Boleslavsky5 We have conflicted feelings about emotion . We find some of them admirable , like compassion , humility ...
How to Integrate Your Skills and Refine Your Performance Richard Brestoff. EMOTION Emotion is God's breath in a part . -Boleslavsky5 We have conflicted feelings about emotion . We find some of them admirable , like compassion , humility ...
Seite 74
... EMOTION What can Georgeanne do because of this split attention ? In the personalization scenes we looked for the expression of raw emo- tion because we were working on the expressive ... emotion into an action 74 SPOKE 3 Deflected Emotion.
... EMOTION What can Georgeanne do because of this split attention ? In the personalization scenes we looked for the expression of raw emo- tion because we were working on the expressive ... emotion into an action 74 SPOKE 3 Deflected Emotion.
Seite 76
... emotion into action and only some- times do we give in to pure feeling . When strong emotion does come over us , we usually have to let it color our voices , affect our bodies , and fight through it to continue what we are trying to do ...
... emotion into action and only some- times do we give in to pure feeling . When strong emotion does come over us , we usually have to let it color our voices , affect our bodies , and fight through it to continue what we are trying to do ...
Inhalt
INTRODUCTION | 1 |
TROUBLESHOOTING | 16 |
PERSONALIZATION SCENES | 38 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acter acting actor actress adapted audience batteries begin behavior body bomb breath char character motto character objective character's thoughts Chekhov choices circumstances Claudius Cleveland connection core conflict CREON curvy deflected died hereafter Doll's House elements Elvsted emotion Evgeny Vakhtangov example explore explosive-withdrawn expression fear feeling Gayev Georgeanne give Glass Menagerie GUILDENSTERN Hamlet happen head Hedda Hedda Gabler humming-control impulse inner JON JORY keep laugh life-lie Little Italy look LOPAKHIN Lovborg Lyubov Macbeth means Michael Chekhov mother move Nina Olympia Dukakis Othello ourselves partner perceive performance PETER phrase play plot objective react reaction respond RICHARD BRESTOFF scene objective sense Shakespeare sometimes sound speak speech spoke Stockmann subtext talk tears tells tempo-rhythm thing THOMAS tion Tommy Valentine Trisha truth truthfully Twelfth Night voice vulnerable wife WOMAN words Yakim York