The Actor's Wheel of Connection: How to Integrate Your Skills and Refine Your PerformanceSmith and Kraus, 2005 - 160 Seiten Richard Brestoff's new book uses the image of the wheel with six spokes to examine the craft of acting. These six spokes represent an actor's connection to self, others, circumstances, text, character, and audience. Each point of connection is examined and experienced through specific exercises, always keeping in mind that when the wheel is in motion, the spokes disappear, as all great acting must. Richard Brestoff is also the author of The Great Acting Teachers and Their Methods (ISBN 1-57525-0128) and The Camera Smart Actor (ISBN 1-880399-76-8). |
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Seite xi
... Exercise 2 108 SIX SELVES 108 Character Exercise 3 111 CHARACTER MOTTO 112 CHARACTER OBJECTIVE 113 THE UNTHINKABLE THOUGHT 116 LIFE - LIE 117 NATIONAL OR CULTURAL TYPES 118 CHARACTER JOURNEY 119 BODY AND VOICE 120 Tempo - Rhythm 121 ...
... Exercise 2 108 SIX SELVES 108 Character Exercise 3 111 CHARACTER MOTTO 112 CHARACTER OBJECTIVE 113 THE UNTHINKABLE THOUGHT 116 LIFE - LIE 117 NATIONAL OR CULTURAL TYPES 118 CHARACTER JOURNEY 119 BODY AND VOICE 120 Tempo - Rhythm 121 ...
Seite 5
... exercise , you will need a remote con- trol , or any small device that has a battery compartment with batteries in it , and an ordinary kitchen timer . Treat the following not as an ... EXERCISE THE EXERCISE Version 1 Version 2 Version 3.
... exercise , you will need a remote con- trol , or any small device that has a battery compartment with batteries in it , and an ordinary kitchen timer . Treat the following not as an ... EXERCISE THE EXERCISE Version 1 Version 2 Version 3.
Seite 20
... EXERCISE The personalization exercise is based on the concept of inter- acting . Many useful kinds of personalization exercises can be done without a partner and a text , but in this exercise , connection to self will come through ...
... EXERCISE The personalization exercise is based on the concept of inter- acting . Many useful kinds of personalization exercises can be done without a partner and a text , but in this exercise , connection to self will come through ...
Inhalt
INTRODUCTION | 1 |
TROUBLESHOOTING | 16 |
PERSONALIZATION SCENES | 38 |
Urheberrecht | |
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acter acting actor actress adapted audience batteries begin behavior body bomb breath char character motto character objective character's thoughts Chekhov choices circumstances Claudius Cleveland connection core conflict CREON curvy deflected died hereafter Doll's House elements Elvsted emotion Evgeny Vakhtangov example explore explosive-withdrawn expression fear feeling Gayev Georgeanne give Glass Menagerie GUILDENSTERN Hamlet happen head Hedda Hedda Gabler humming-control impulse inner JON JORY keep laugh life-lie Little Italy look LOPAKHIN Lovborg Lyubov Macbeth means Michael Chekhov mother move Nina Olympia Dukakis Othello ourselves partner perceive performance PETER phrase play plot objective react reaction respond RICHARD BRESTOFF scene objective sense Shakespeare sometimes sound speak speech spoke Stockmann subtext talk tears tells tempo-rhythm thing THOMAS tion Tommy Valentine Trisha truth truthfully Twelfth Night voice vulnerable wife WOMAN words Yakim York