The Actor's Wheel of Connection: How to Integrate Your Skills and Refine Your PerformanceSmith and Kraus, 2005 - 160 Seiten Richard Brestoff's new book uses the image of the wheel with six spokes to examine the craft of acting. These six spokes represent an actor's connection to self, others, circumstances, text, character, and audience. Each point of connection is examined and experienced through specific exercises, always keeping in mind that when the wheel is in motion, the spokes disappear, as all great acting must. Richard Brestoff is also the author of The Great Acting Teachers and Their Methods (ISBN 1-57525-0128) and The Camera Smart Actor (ISBN 1-880399-76-8). |
Im Buch
Ergebnisse 1-3 von 16
Seite 10
... human is foreign to us . The implications of such a statement are , of course , startling . It means that we have inside us the whole range of human feeling and behavior from Hitler to Gandhi , with all the subtle shades in between ...
... human is foreign to us . The implications of such a statement are , of course , startling . It means that we have inside us the whole range of human feeling and behavior from Hitler to Gandhi , with all the subtle shades in between ...
Seite 11
... Human beings are creatures of infinite possibilities . You are more complex and fasci- nating than any character ever written . A character is just words on a page ; you are a living human being . Yet , it is a simple but bracing fact ...
... Human beings are creatures of infinite possibilities . You are more complex and fasci- nating than any character ever written . A character is just words on a page ; you are a living human being . Yet , it is a simple but bracing fact ...
Seite 103
... human being with a soul but a clichéd caricature . Ask yourself what you were like the last time you avoided something . When have you been curvy in your life ? How did you act ? Then ask your- self if you were different or similar to ...
... human being with a soul but a clichéd caricature . Ask yourself what you were like the last time you avoided something . When have you been curvy in your life ? How did you act ? Then ask your- self if you were different or similar to ...
Inhalt
INTRODUCTION | 1 |
TROUBLESHOOTING | 16 |
PERSONALIZATION SCENES | 38 |
Urheberrecht | |
13 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
acter acting actor actress adapted audience batteries begin behavior body bomb breath char character motto character objective character's thoughts Chekhov choices circumstances Claudius Cleveland connection core conflict CREON curvy deflected died hereafter Doll's House elements Elvsted emotion Evgeny Vakhtangov example explore explosive-withdrawn expression fear feeling Gayev Georgeanne give Glass Menagerie GUILDENSTERN Hamlet happen head Hedda Hedda Gabler humming-control impulse inner JON JORY keep laugh life-lie Little Italy look LOPAKHIN Lovborg Lyubov Macbeth means Michael Chekhov mother move Nina Olympia Dukakis Othello ourselves partner perceive performance PETER phrase play plot objective react reaction respond RICHARD BRESTOFF scene objective sense Shakespeare sometimes sound speak speech spoke Stockmann subtext talk tears tells tempo-rhythm thing THOMAS tion Tommy Valentine Trisha truth truthfully Twelfth Night voice vulnerable wife WOMAN words Yakim York