The Actor's Wheel of Connection: How to Integrate Your Skills and Refine Your PerformanceSmith and Kraus, 2005 - 160 Seiten Richard Brestoff's new book uses the image of the wheel with six spokes to examine the craft of acting. These six spokes represent an actor's connection to self, others, circumstances, text, character, and audience. Each point of connection is examined and experienced through specific exercises, always keeping in mind that when the wheel is in motion, the spokes disappear, as all great acting must. Richard Brestoff is also the author of The Great Acting Teachers and Their Methods (ISBN 1-57525-0128) and The Camera Smart Actor (ISBN 1-880399-76-8). |
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... imagination . Part of you knows that the device we called a bomb was really a TV remote control or a portable CD player . But your imagination allows you to treat it as though it is a bomb . So now , let's examine what you just did in a ...
... imagination . Part of you knows that the device we called a bomb was really a TV remote control or a portable CD player . But your imagination allows you to treat it as though it is a bomb . So now , let's examine what you just did in a ...
Seite 133
... imagination and emotional life , connected to his various acting partners , connected to the circumstances in which the character lives , connected to the text , and connected to the character's thoughts and behaviors , and yet none of ...
... imagination and emotional life , connected to his various acting partners , connected to the circumstances in which the character lives , connected to the text , and connected to the character's thoughts and behaviors , and yet none of ...
Seite 143
... imagination , rich and lush and full of inspiration . And the difference between an artist and a craftsman is this : A craftsman knows where everything in that land is ; an artist also knows where everything in that land is and still ...
... imagination , rich and lush and full of inspiration . And the difference between an artist and a craftsman is this : A craftsman knows where everything in that land is ; an artist also knows where everything in that land is and still ...
Inhalt
INTRODUCTION | 1 |
TROUBLESHOOTING | 16 |
PERSONALIZATION SCENES | 38 |
Urheberrecht | |
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acter acting actor actress adapted audience batteries begin behavior body bomb breath char character motto character objective character's thoughts Chekhov choices circumstances Claudius Cleveland connection core conflict CREON curvy deflected died hereafter Doll's House elements Elvsted emotion Evgeny Vakhtangov example explore explosive-withdrawn expression fear feeling Gayev Georgeanne give Glass Menagerie GUILDENSTERN Hamlet happen head Hedda Hedda Gabler humming-control impulse inner JON JORY keep laugh life-lie Little Italy look LOPAKHIN Lovborg Lyubov Macbeth means Michael Chekhov mother move Nina Olympia Dukakis Othello ourselves partner perceive performance PETER phrase play plot objective react reaction respond RICHARD BRESTOFF scene objective sense Shakespeare sometimes sound speak speech spoke Stockmann subtext talk tears tells tempo-rhythm thing THOMAS tion Tommy Valentine Trisha truth truthfully Twelfth Night voice vulnerable wife WOMAN words Yakim York