The Actor's Wheel of Connection: How to Integrate Your Skills and Refine Your PerformanceSmith and Kraus, 2005 - 160 Seiten Richard Brestoff's new book uses the image of the wheel with six spokes to examine the craft of acting. These six spokes represent an actor's connection to self, others, circumstances, text, character, and audience. Each point of connection is examined and experienced through specific exercises, always keeping in mind that when the wheel is in motion, the spokes disappear, as all great acting must. Richard Brestoff is also the author of The Great Acting Teachers and Their Methods (ISBN 1-57525-0128) and The Camera Smart Actor (ISBN 1-880399-76-8). |
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Seite 67
... intention for an actor to play with this utterance is " to rally the troops . " And this is a perfectly correct objective . Talbot is trying to rally the troops . His tactic would be to rally his troops by " shaming " them . This too is ...
... intention for an actor to play with this utterance is " to rally the troops . " And this is a perfectly correct objective . Talbot is trying to rally the troops . His tactic would be to rally his troops by " shaming " them . This too is ...
Seite 69
... intention . BEGINNING INTENTIONS Let's explore conflicts and objectives in a contemporary scene . Alan Ball , the writer of the film American Beauty and the creator of 21 Los Angeles Times , July 23 , 2004 . the television series Six ...
... intention . BEGINNING INTENTIONS Let's explore conflicts and objectives in a contemporary scene . Alan Ball , the writer of the film American Beauty and the creator of 21 Los Angeles Times , July 23 , 2004 . the television series Six ...
Seite 73
... intention . General ones can serve as use- ful guides until you discover better ones . As you work on the ma- terial , you may find that Georgeanne wants to unburden herself to Trisha and thereby relieve herself of the pain she is in ...
... intention . General ones can serve as use- ful guides until you discover better ones . As you work on the ma- terial , you may find that Georgeanne wants to unburden herself to Trisha and thereby relieve herself of the pain she is in ...
Inhalt
INTRODUCTION | 1 |
TROUBLESHOOTING | 16 |
PERSONALIZATION SCENES | 38 |
Urheberrecht | |
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acter acting actor actress adapted audience batteries begin behavior body bomb breath char character motto character objective character's thoughts Chekhov choices circumstances Claudius Cleveland connection core conflict CREON curvy deflected died hereafter Doll's House elements Elvsted emotion Evgeny Vakhtangov example explore explosive-withdrawn expression fear feeling Gayev Georgeanne give Glass Menagerie GUILDENSTERN Hamlet happen head Hedda Hedda Gabler humming-control impulse inner JON JORY keep laugh life-lie Little Italy look LOPAKHIN Lovborg Lyubov Macbeth means Michael Chekhov mother move Nina Olympia Dukakis Othello ourselves partner perceive performance PETER phrase play plot objective react reaction respond RICHARD BRESTOFF scene objective sense Shakespeare sometimes sound speak speech spoke Stockmann subtext talk tears tells tempo-rhythm thing THOMAS tion Tommy Valentine Trisha truth truthfully Twelfth Night voice vulnerable wife WOMAN words Yakim York