The Actor's Wheel of Connection: How to Integrate Your Skills and Refine Your PerformanceSmith and Kraus, 2005 - 160 Seiten Richard Brestoff's new book uses the image of the wheel with six spokes to examine the craft of acting. These six spokes represent an actor's connection to self, others, circumstances, text, character, and audience. Each point of connection is examined and experienced through specific exercises, always keeping in mind that when the wheel is in motion, the spokes disappear, as all great acting must. Richard Brestoff is also the author of The Great Acting Teachers and Their Methods (ISBN 1-57525-0128) and The Camera Smart Actor (ISBN 1-880399-76-8). |
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Seite 26
... moment - to - moment ex- changes that we , as an audience , look for , will likely be absent . To avoid this type of acting , we train ourselves to find our own personal reactions to our partner . He or she is all we have since we have ...
... moment - to - moment ex- changes that we , as an audience , look for , will likely be absent . To avoid this type of acting , we train ourselves to find our own personal reactions to our partner . He or she is all we have since we have ...
Seite 37
... moment than in any of the other personal- izations . This wasn't " acted ” rage , but the real thing . And both ac- tors knew it . Where it would go from there , neither of them knew . It is that moment of not - knowingness , of ...
... moment than in any of the other personal- izations . This wasn't " acted ” rage , but the real thing . And both ac- tors knew it . Where it would go from there , neither of them knew . It is that moment of not - knowingness , of ...
Seite 66
... moment is the source of an actor's presence because it keeps him alive and interactive . While the scene objective for the gas station scene was to get away from your ex without any big confrontation , the moment - to- moment reactions ...
... moment is the source of an actor's presence because it keeps him alive and interactive . While the scene objective for the gas station scene was to get away from your ex without any big confrontation , the moment - to- moment reactions ...
Inhalt
INTRODUCTION | 1 |
TROUBLESHOOTING | 16 |
PERSONALIZATION SCENES | 38 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acter acting actor actress adapted audience batteries begin behavior body bomb breath char character motto character objective character's thoughts Chekhov choices circumstances Claudius Cleveland connection core conflict CREON curvy deflected died hereafter Doll's House elements Elvsted emotion Evgeny Vakhtangov example explore explosive-withdrawn expression fear feeling Gayev Georgeanne give Glass Menagerie GUILDENSTERN Hamlet happen head Hedda Hedda Gabler humming-control impulse inner JON JORY keep laugh life-lie Little Italy look LOPAKHIN Lovborg Lyubov Macbeth means Michael Chekhov mother move Nina Olympia Dukakis Othello ourselves partner perceive performance PETER phrase play plot objective react reaction respond RICHARD BRESTOFF scene objective sense Shakespeare sometimes sound speak speech spoke Stockmann subtext talk tears tells tempo-rhythm thing THOMAS tion Tommy Valentine Trisha truth truthfully Twelfth Night voice vulnerable wife WOMAN words Yakim York