The Actor's Wheel of Connection: How to Integrate Your Skills and Refine Your PerformanceSmith and Kraus, 2005 - 160 Seiten Richard Brestoff's new book uses the image of the wheel with six spokes to examine the craft of acting. These six spokes represent an actor's connection to self, others, circumstances, text, character, and audience. Each point of connection is examined and experienced through specific exercises, always keeping in mind that when the wheel is in motion, the spokes disappear, as all great acting must. Richard Brestoff is also the author of The Great Acting Teachers and Their Methods (ISBN 1-57525-0128) and The Camera Smart Actor (ISBN 1-880399-76-8). |
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Seite 75
... mother sees her child hit by a car as he crosses the street , the mother cannot afford to give in to her shock and horror com- pletely , because she needs to run out into the street to check on her child . When she gets to her child and ...
... mother sees her child hit by a car as he crosses the street , the mother cannot afford to give in to her shock and horror com- pletely , because she needs to run out into the street to check on her child . When she gets to her child and ...
Seite 101
... mother off , for instance . You know how she re- acts when you use them . When your father wants to avoid a con- frontation with your mother , how does he do it ? Does he mutter under his breath and walk away ? Does he lower his head ...
... mother off , for instance . You know how she re- acts when you use them . When your father wants to avoid a con- frontation with your mother , how does he do it ? Does he mutter under his breath and walk away ? Does he lower his head ...
Seite 116
... mother's help to do it right . The mother naturally spends the evening trying everything she can to stop her daughter from committing suicide . And yet , during the course of the play the mother says some things that do not correspond ...
... mother's help to do it right . The mother naturally spends the evening trying everything she can to stop her daughter from committing suicide . And yet , during the course of the play the mother says some things that do not correspond ...
Inhalt
INTRODUCTION | 1 |
TROUBLESHOOTING | 16 |
PERSONALIZATION SCENES | 38 |
Urheberrecht | |
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acter acting actor actress adapted audience batteries begin behavior body bomb breath char character motto character objective character's thoughts Chekhov choices circumstances Claudius Cleveland connection core conflict CREON curvy deflected died hereafter Doll's House elements Elvsted emotion Evgeny Vakhtangov example explore explosive-withdrawn expression fear feeling Gayev Georgeanne give Glass Menagerie GUILDENSTERN Hamlet happen head Hedda Hedda Gabler humming-control impulse inner JON JORY keep laugh life-lie Little Italy look LOPAKHIN Lovborg Lyubov Macbeth means Michael Chekhov mother move Nina Olympia Dukakis Othello ourselves partner perceive performance PETER phrase play plot objective react reaction respond RICHARD BRESTOFF scene objective sense Shakespeare sometimes sound speak speech spoke Stockmann subtext talk tears tells tempo-rhythm thing THOMAS tion Tommy Valentine Trisha truth truthfully Twelfth Night voice vulnerable wife WOMAN words Yakim York