The Actor's Wheel of Connection: How to Integrate Your Skills and Refine Your PerformanceSmith and Kraus, 2005 - 160 Seiten Richard Brestoff's new book uses the image of the wheel with six spokes to examine the craft of acting. These six spokes represent an actor's connection to self, others, circumstances, text, character, and audience. Each point of connection is examined and experienced through specific exercises, always keeping in mind that when the wheel is in motion, the spokes disappear, as all great acting must. Richard Brestoff is also the author of The Great Acting Teachers and Their Methods (ISBN 1-57525-0128) and The Camera Smart Actor (ISBN 1-880399-76-8). |
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Seite 42
... thing . If we had an admission from you that what you were saying was wrong , that you were sorry for what you said , well then ... THOMAS : I might have my job back ? PETER : Public opinion is a very changeable thing . THOMAS : So ...
... thing . If we had an admission from you that what you were saying was wrong , that you were sorry for what you said , well then ... THOMAS : I might have my job back ? PETER : Public opinion is a very changeable thing . THOMAS : So ...
Seite 54
... thing . THOMAS : So that's what you're after . I won't do it . PETER : A man with a family has no right to behave as you do . You have no right to do it , Thomas . THOMAS : I have no right ! There is only one single thing in the world a ...
... thing . THOMAS : So that's what you're after . I won't do it . PETER : A man with a family has no right to behave as you do . You have no right to do it , Thomas . THOMAS : I have no right ! There is only one single thing in the world a ...
Seite 110
... thing inside but reveal to the world something quite different . Examples of such characters would be lago from Othello and Arsinoë from Molière's The Misanthrope . Exercises exploring this self involve feeling one thing inside but ...
... thing inside but reveal to the world something quite different . Examples of such characters would be lago from Othello and Arsinoë from Molière's The Misanthrope . Exercises exploring this self involve feeling one thing inside but ...
Inhalt
INTRODUCTION | 1 |
TROUBLESHOOTING | 16 |
PERSONALIZATION SCENES | 38 |
Urheberrecht | |
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acter acting actor actress adapted audience batteries begin behavior body bomb breath char character motto character objective character's thoughts Chekhov choices circumstances Claudius Cleveland connection core conflict CREON curvy deflected died hereafter Doll's House elements Elvsted emotion Evgeny Vakhtangov example explore explosive-withdrawn expression fear feeling Gayev Georgeanne give Glass Menagerie GUILDENSTERN Hamlet happen head Hedda Hedda Gabler humming-control impulse inner JON JORY keep laugh life-lie Little Italy look LOPAKHIN Lovborg Lyubov Macbeth means Michael Chekhov mother move Nina Olympia Dukakis Othello ourselves partner perceive performance PETER phrase play plot objective react reaction respond RICHARD BRESTOFF scene objective sense Shakespeare sometimes sound speak speech spoke Stockmann subtext talk tears tells tempo-rhythm thing THOMAS tion Tommy Valentine Trisha truth truthfully Twelfth Night voice vulnerable wife WOMAN words Yakim York