The plays of Shakespeare, from the text of S. Johnson, with the prefaces, notes &c. of Rowe, Pope and many other critics. 6 vols. [in 12 pt. Followed by] Shakespeare's poems, Band 1 |
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Seite vi
... most natural paffions and most frequent incidents ; so that he who contemplates them in the book will not know them in the world : Shakespeare approximates the remote , and familiarizes the wonderful ; the event which he reprefents will ...
... most natural paffions and most frequent incidents ; so that he who contemplates them in the book will not know them in the world : Shakespeare approximates the remote , and familiarizes the wonderful ; the event which he reprefents will ...
Seite x
... most of the cri- ticisms of Rhymer and Voltaire vanish away . The play of Hamlet is opened , without impropriety , by two sentinels ; Iago bellows at Brabantio's window , without injury to the fcheme of the play , though in terms which ...
... most of the cri- ticisms of Rhymer and Voltaire vanish away . The play of Hamlet is opened , without impropriety , by two sentinels ; Iago bellows at Brabantio's window , without injury to the fcheme of the play , though in terms which ...
Seite xiii
... most of the evil in books or in men . He facrifices virtue to conve- nience , and is so much more careful to please than to in- ftru & t , that he seems to write without any moral purpose . From his writings indeed a fyftem of social ...
... most of the evil in books or in men . He facrifices virtue to conve- nience , and is so much more careful to please than to in- ftru & t , that he seems to write without any moral purpose . From his writings indeed a fyftem of social ...
Seite xv
... most part ftriking and energe- tick ; but whenever he folicits his invention , or strains his faculties , the offspring of his throes is tumour , meannefs , tediousness , and obfcurity . In narration he affects a disproportionate pomp ...
... most part ftriking and energe- tick ; but whenever he folicits his invention , or strains his faculties , the offspring of his throes is tumour , meannefs , tediousness , and obfcurity . In narration he affects a disproportionate pomp ...
Seite xix
... the fable elapfes for the most part between the acts ; for , of fo much of the action as is represented , the real and poetical duration is the fame . If in the first act , preparations for war against Mithridates b . 2 PREFACE . xix.
... the fable elapfes for the most part between the acts ; for , of fo much of the action as is represented , the real and poetical duration is the fame . If in the first act , preparations for war against Mithridates b . 2 PREFACE . xix.
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The Plays of Shakespeare, from the Text of S. Johnson, with the Prefaces ... William Shakespeare Keine Leseprobe verfügbar - 2015 |
The Plays Of Shakespeare, From The Text Of S. Johnson, With The Prefaces ... William Shakespeare Keine Leseprobe verfügbar - 2019 |
The Plays of Shakespeare, from the Text of S. Johnson, with the Prefaces ... William Shakespeare Keine Leseprobe verfügbar - 2015 |
Häufige Begriffe und Wortgruppen
againſt almoſt Ariel becauſe beſt Caliban copies defire Demetrius doth edition editor Enter eyes faid fairies fame fatire fecond feems fenfe fhall fhew fince firft firſt fleep fome fometimes foul fpeak ftand ftill ftrange fubject fuch fuppofe fweet give hath Hermia himſelf houſe Ibid iffue iſland John JOHNSON king laft laſt leaſt loft lord Lyfander maſter MIRA moft monſter moon moſt muft muſt myſelf Naples obferved occafion paffages paffion play pleaſe pleaſure poet praiſe prefent Profpero publiſhed Puck purpoſe Pyramus quartos queen QUIN racter reaſon reft Robin-goodfellow ſaid ſay ſcene ſee ſeems ſenſe Shakeſpeare ſhall ſhe ſhould ſome ſpeak ſpirit ſtage ſtand Stephano ſuch ſweet Sycorax thee thefe themſelves THEOB theſe thing Thiſby thofe thoſe thou thought Titus Andronicus TRIN Trinculo uſe WARB whofe whoſe word