Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 36
Nature ' s immutability and silence are perhaps extensions of the castle ' s
immutability and semisilence , a silence broken by noises and messages which
are meaningless to K . ; their meaning is more related to timelessness and
limitlessness ...
Nature ' s immutability and silence are perhaps extensions of the castle ' s
immutability and semisilence , a silence broken by noises and messages which
are meaningless to K . ; their meaning is more related to timelessness and
limitlessness ...
Seite 38
Frieda , the mistress of Klamm and “ stepping stone ” to the Castle hierarchy for K
. , represents both spiritual and erotic love . One of the more passionate scenes in
The Castle deals with K . and Frieda on the floor " wallowing in puddles of ...
Frieda , the mistress of Klamm and “ stepping stone ” to the Castle hierarchy for K
. , represents both spiritual and erotic love . One of the more passionate scenes in
The Castle deals with K . and Frieda on the floor " wallowing in puddles of ...
Seite 39
Through Kafka ' s use of sfumato , the blur of time / space , of " the Castle , ” of the
snow , and of the various unrealized characters in The Castle , does contribute to
a finale of some three - dimensional form . After K . ' s ineffectual liaison with ...
Through Kafka ' s use of sfumato , the blur of time / space , of " the Castle , ” of the
snow , and of the various unrealized characters in The Castle , does contribute to
a finale of some three - dimensional form . After K . ' s ineffectual liaison with ...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
Verweise auf dieses Buch
A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |