Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 11
The darks and lights become one with the tragic struggle on canvas between
Good and Evil , powerful divine - like strength and man ' s earthly debility . Fyodor
Dostoevsky , like a High Renaissance painter , paints Crime and Punishment ...
The darks and lights become one with the tragic struggle on canvas between
Good and Evil , powerful divine - like strength and man ' s earthly debility . Fyodor
Dostoevsky , like a High Renaissance painter , paints Crime and Punishment ...
Seite 23
According to the painter himself , “ In my picture Night Cafe , I have tried to
express the idea that the cafe is a place where one can ruin oneself , go mad or
commit a crime ” — like the crazed men in Crime and Punishment who are driven
to ...
According to the painter himself , “ In my picture Night Cafe , I have tried to
express the idea that the cafe is a place where one can ruin oneself , go mad or
commit a crime ” — like the crazed men in Crime and Punishment who are driven
to ...
Seite 101
Likewise , Dostoevsky ' s hero , Raskolnikov in Crime and Punishment , builds
himself through visages of Napoleon and romantic glory . Yet , he realizes , as
does the Underground Man in Notes from Underground who likewise wallows in
...
Likewise , Dostoevsky ' s hero , Raskolnikov in Crime and Punishment , builds
himself through visages of Napoleon and romantic glory . Yet , he realizes , as
does the Underground Man in Notes from Underground who likewise wallows in
...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
Verweise auf dieses Buch
A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |