Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorUniversity Press of America, 1993 - 112 Seiten This book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 7
... Leonardo da Vinci , an earlier and renowned contributor to the play with contrasting lights and shades , mentions in his discourse on the first intentional aim of the painter the necessity of making a body , as if modelled , appear ...
... Leonardo da Vinci , an earlier and renowned contributor to the play with contrasting lights and shades , mentions in his discourse on the first intentional aim of the painter the necessity of making a body , as if modelled , appear ...
Seite 31
... Leonardo da Vinci What aligns the great Renaissance painter Leonardo da Vinci to the renowned modern writer Franz Kafka is their similar usage of the painting technique sfumato . Even though these two creative giants ' works are ...
... Leonardo da Vinci What aligns the great Renaissance painter Leonardo da Vinci to the renowned modern writer Franz Kafka is their similar usage of the painting technique sfumato . Even though these two creative giants ' works are ...
Seite 34
... Leonardo uti- lized this technique to achieve a sculptural or three - dimensional effect which led to a break with the Florentine tradition that line drawing was basic for all the visual arts ( McMullen 1975,118 ) . He believed as ...
... Leonardo uti- lized this technique to achieve a sculptural or three - dimensional effect which led to a break with the Florentine tradition that line drawing was basic for all the visual arts ( McMullen 1975,118 ) . He believed as ...
Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime and | 7 |
Franz Kafkas The Castle and | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor hand heavy illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph 1992 Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Rights Reserved seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young