Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 63
She ( Tuzza ) is carrying Liola ' s child , yet manages to conspire with Uncle
Simone and to reveal publicly that it is his ... Liolà , not wishing to support Tuzza '
s jealous , manipulatory plot - as well as wishing to be closer to his beloved Mita
...
She ( Tuzza ) is carrying Liola ' s child , yet manages to conspire with Uncle
Simone and to reveal publicly that it is his ... Liolà , not wishing to support Tuzza '
s jealous , manipulatory plot - as well as wishing to be closer to his beloved Mita
...
Seite 70
Liolà is also a god figure , a parodic one of Pan , the Greek god of pastures ,
flocks , shepherds and forests , since he is a leader of his idyllic , Sicilian ,
countryside town . Sometimes he resembles Dionysus , according to classical
mythology ...
Liolà is also a god figure , a parodic one of Pan , the Greek god of pastures ,
flocks , shepherds and forests , since he is a leader of his idyllic , Sicilian ,
countryside town . Sometimes he resembles Dionysus , according to classical
mythology ...
Seite 109
... 1 , 4 , 31 , 101 - 102 Liolà , 62 - 63 , 66 - 67 , 70 Liolà , 49 , 62 , 66 - 67 , 101
Liza , 18 , 24 - 28 Lizaveta ( Ivanovna ) , 14 - 15 , 19 losers versus winners , 15 ,
101 Luminarist , 77 , 89 , 95 luminosity , 77 Luzhin , 14 , 19 M Jeremiah , 39
Joyce ...
... 1 , 4 , 31 , 101 - 102 Liolà , 62 - 63 , 66 - 67 , 70 Liolà , 49 , 62 , 66 - 67 , 101
Liza , 18 , 24 - 28 Lizaveta ( Ivanovna ) , 14 - 15 , 19 losers versus winners , 15 ,
101 Luminarist , 77 , 89 , 95 luminosity , 77 Luzhin , 14 , 19 M Jeremiah , 39
Joyce ...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
Verweise auf dieses Buch
A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |