Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorUniversity Press of America, 1993 - 112 Seiten This book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 2
... artist to use in a painting found materials ( real scraps of cloth , cardboard , newspapers , etc. ) in conjunction with nonrepresentational or more abstracted forms / view- points of " reality " as in Picasso's Three Musicians , for ...
... artist to use in a painting found materials ( real scraps of cloth , cardboard , newspapers , etc. ) in conjunction with nonrepresentational or more abstracted forms / view- points of " reality " as in Picasso's Three Musicians , for ...
Seite 3
... artist's name in the following quotation , there would be little difference in the tech- nique of forming subject matter or in the approach to creating a work of art , text or painting , between the two international artists : Even the ...
... artist's name in the following quotation , there would be little difference in the tech- nique of forming subject matter or in the approach to creating a work of art , text or painting , between the two international artists : Even the ...
Seite 59
... artist " himself . Like the fantastical duality and chaos of the characters , so , too , exist the confusion and double - play of the " author Pirandello " himself , of the Manager ( Pirandello ) in the drama , and of Pirandello ...
... artist " himself . Like the fantastical duality and chaos of the characters , so , too , exist the confusion and double - play of the " author Pirandello " himself , of the Manager ( Pirandello ) in the drama , and of Pirandello ...
Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime and | 7 |
Franz Kafkas The Castle and | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According to critic actual appears artistic Autumn becomes blurred Bürgel Caravaggio Castle Catteau Characters in Search chiaroscuro child collage color contrast created Crime and Punishment Cubism death divine Dostoevsky drama Evil famous fantastical Father figure Frieda Furthermore Gabriel García García Márquez Gregor Grete Handsomest Drowned illusion illustration impasto incollato Italian Kafka Klamm layers Leonardo da Vinci Les Demoiselles d'Avignon Likewise Liolà literary lives Liza Luigi Luigi Pirandello Madonna Manuela Metamorphosis mirror Mita Mona Lisa multiple murder myth narrative Notes from Underground novel oil on canvas Pablo Picasso painter Painting Literature painting technique passionate Patriarch Patricio Aragones personage perspectives photograph 1992 Picasso pictorial pieces Pirandello protagonist Raskolnikov readers reality Rembrandt Rights Reserved Seurat sexual sfumato shades short fiction sister Six Characters snow spiritual stage Stepdaughter story struggle texture tints and shades tragic Tuzza versus viewers village Vincent van Gogh Vittorini wife yellow Zverkov