Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 28
Most significant , though , is the effect of chiaroscuro upon the viewing audience ,
for , when viewing Rembrandt ' s Angel Appearing to the Shepherds or
Caravaggio ' s Death of the Virgin , there is an intense feeling of spirituality which
jolts ...
Most significant , though , is the effect of chiaroscuro upon the viewing audience ,
for , when viewing Rembrandt ' s Angel Appearing to the Shepherds or
Caravaggio ' s Death of the Virgin , there is an intense feeling of spirituality which
jolts ...
Seite 45
The psychological effects that Leonardo da Vinci creates for his viewing
audience and that Kafka produces for his reading audience through the
technique of sfumato are more alike than one may perceive . After viewing Mona
Lisa , one is left ...
The psychological effects that Leonardo da Vinci creates for his viewing
audience and that Kafka produces for his reading audience through the
technique of sfumato are more alike than one may perceive . After viewing Mona
Lisa , one is left ...
Seite 60
Critic Paolucci in her Pirandello ' s Theater , furthermore states that Pirandello
presents us ( the viewing audience ) a mirror in which we can be guided onward
in the journey to “ the center of personality " ( Paolucci 1974 , 58 ) . Viewers now ...
Critic Paolucci in her Pirandello ' s Theater , furthermore states that Pirandello
presents us ( the viewing audience ) a mirror in which we can be guided onward
in the journey to “ the center of personality " ( Paolucci 1974 , 58 ) . Viewers now ...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
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