Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 34
He believed as follows : In his scientist role he was inclined to think of sfumato as
a device for producing a three - dimensional effect , an illusion of relief , which he
called ' the first thing in painting , ' and which is certainly present in the ...
He believed as follows : In his scientist role he was inclined to think of sfumato as
a device for producing a three - dimensional effect , an illusion of relief , which he
called ' the first thing in painting , ' and which is certainly present in the ...
Seite 49
The most exciting “ offshoot ” of Picasso ' s Cubism was the later phase called “
Synthetic Cubism ” ( c . 1912 . . . ) . In opposition to the Analytical phase of
Cubism ( c . 1909 - ' 12 ) which emphasized the break - down of representational
forms ...
The most exciting “ offshoot ” of Picasso ' s Cubism was the later phase called “
Synthetic Cubism ” ( c . 1912 . . . ) . In opposition to the Analytical phase of
Cubism ( c . 1909 - ' 12 ) which emphasized the break - down of representational
forms ...
Seite 77
... but the boats , trees , clouds , and multicolored reflections have substantial
impasto ” ( Alexandrian 1980 , 245 ) . Georges Seurat , the father of Pointillism or
Divisionism or Chromo - Luminarism ( as he himself preferred to be called ) ...
... but the boats , trees , clouds , and multicolored reflections have substantial
impasto ” ( Alexandrian 1980 , 245 ) . Georges Seurat , the father of Pointillism or
Divisionism or Chromo - Luminarism ( as he himself preferred to be called ) ...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
Verweise auf dieses Buch
A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |
Bibliografische Informationen
| Titel | Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living Color G - Reference, Information and Interdisciplinary Subjects Series |
| Autor/in | Constance A. Pedoto |
| Ausgabe | illustriert |
| Verlag | University Press of America, 1993 |
| Original von | University of Michigan |
| Digitalisiert | 29. Febr. 2008 |
| ISBN | 0819190993, 9780819190994 |
| Länge | 112 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |