Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 4
Art , like Literature and Life , is in continual process and change , and perhaps
each chapter reflects how both the textual and pictorial masterpieces are
commenting upon their own constructions and need for renovation . Doesn ' t
Dostoevsky ...
Art , like Literature and Life , is in continual process and change , and perhaps
each chapter reflects how both the textual and pictorial masterpieces are
commenting upon their own constructions and need for renovation . Doesn ' t
Dostoevsky ...
Seite 26
Like contrasting values on a pictorial plane , the two antithetic currents of thought
are in continual conflict in Dostoevsky ' s novella . In fact , the epigraph for
chapter nine of Part II , “ Apropos of the Wet Snow , ” is taken from a known
sentimental ...
Like contrasting values on a pictorial plane , the two antithetic currents of thought
are in continual conflict in Dostoevsky ' s novella . In fact , the epigraph for
chapter nine of Part II , “ Apropos of the Wet Snow , ” is taken from a known
sentimental ...
Seite 60
are more realized characters since they are in continual process — trying to
relive their life stories , struggling to truly “ find themselves ” or to face their tragic
realities — whereas the Mother is a more static character , fixated in her remorse
over ...
are more realized characters since they are in continual process — trying to
relive their life stories , struggling to truly “ find themselves ” or to face their tragic
realities — whereas the Mother is a more static character , fixated in her remorse
over ...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
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A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |