Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
Im Buch
Ergebnisse 1-3 von 9
Seite 10
The latter is a more generic term referring to the contrast of lights ( tints ) and
darks ( shades ) mostly for dramatic effects and for delineating shapes , whereas
the former term suggests a gradual type of gradation or shading of tones and
color in ...
The latter is a more generic term referring to the contrast of lights ( tints ) and
darks ( shades ) mostly for dramatic effects and for delineating shapes , whereas
the former term suggests a gradual type of gradation or shading of tones and
color in ...
Seite 59
Philosophically , “ with great art Pirandello shows by means of those half -
evolved characters , in contrast to the actors of real life , the antithesis between
Life and Art ” ( Starkie 1926 , 224 ) . Continually , throughout the play , characters
and ...
Philosophically , “ with great art Pirandello shows by means of those half -
evolved characters , in contrast to the actors of real life , the antithesis between
Life and Art ” ( Starkie 1926 , 224 ) . Continually , throughout the play , characters
and ...
Seite 77
Through the contrast of the complementary hues ( blues / oranges ) and shapes (
horizontals versus diagonals ) , the artist emphasizes the clearness of water ( soft
relief ) as opposed to the rippled , moved background of sea ( heavy ...
Through the contrast of the complementary hues ( blues / oranges ) and shapes (
horizontals versus diagonals ) , the artist emphasizes the clearness of water ( soft
relief ) as opposed to the rippled , moved background of sea ( heavy ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
Verweise auf dieses Buch
A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |