Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 2
( Kafka 1982 , 128' 29 ) NO are The highly self - conscious collages of Pablo
Picasso are created the same way that Luigi Pirandello fabricates his dramas by
gluing together bits and pieces of real and created materials . Mainly , the
incolato ...
( Kafka 1982 , 128' 29 ) NO are The highly self - conscious collages of Pablo
Picasso are created the same way that Luigi Pirandello fabricates his dramas by
gluing together bits and pieces of real and created materials . Mainly , the
incolato ...
Seite 85
The Ally dep a popu cattle driver of little education and who could for 27 years
create for himself a national power and an image of a god of popular fantasy .
Thus , the myth of power and dictatorships was a forceful theme in García
Márquez ...
The Ally dep a popu cattle driver of little education and who could for 27 years
create for himself a national power and an image of a god of popular fantasy .
Thus , the myth of power and dictatorships was a forceful theme in García
Márquez ...
Seite 93
Here the members of society have recast the Patriarch in their own terms or
visions , and they have re - created their own version of the tyrant ' s legend , so
that now they can convincingly state that “ for the first time it was possible to
believe ...
Here the members of society have recast the Patriarch in their own terms or
visions , and they have re - created their own version of the tyrant ' s legend , so
that now they can convincingly state that “ for the first time it was possible to
believe ...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
Verweise auf dieses Buch
A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |