Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 77
This contemporary artist creates textured , impasto - like novels and short fiction
by his use of building and overlapping myths , violent contrasts between reality
and surreality , and kaleidoscopic Claude Monet , French , 1840 - 1926 , On ...
This contemporary artist creates textured , impasto - like novels and short fiction
by his use of building and overlapping myths , violent contrasts between reality
and surreality , and kaleidoscopic Claude Monet , French , 1840 - 1926 , On ...
Seite 94
According to one critic ' s observation , García Márquez approaches his writing of
myth from a " folklore science - fiction ” sort of form ( 136 ) . According to the
novelist himself in view of this approach to writing fiction ) , “ Nobody ' d ever told
me ...
According to one critic ' s observation , García Márquez approaches his writing of
myth from a " folklore science - fiction ” sort of form ( 136 ) . According to the
novelist himself in view of this approach to writing fiction ) , “ Nobody ' d ever told
me ...
Seite 100
Not unlike Pirandellian personages or the fictional constructs of García Márquez
are the characters of Kafka and Dostoevsky . K . hides behind his social mask as
a land - surveyor in The Castle . His real self is hidden behind a layer of social ...
Not unlike Pirandellian personages or the fictional constructs of García Márquez
are the characters of Kafka and Dostoevsky . K . hides behind his social mask as
a land - surveyor in The Castle . His real self is hidden behind a layer of social ...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
Verweise auf dieses Buch
A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |