Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorUniversity Press of America, 1993 - 112 Seiten This book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
Im Buch
Ergebnisse 1-3 von 5
Seite 23
... forces of darkness and lightness ; one feels also a pronounced tension between Good and Evil in this work , as opposed to Crime and Punishment ( 1866 ) , where these forces now amalgamate with the tension between free will and ...
... forces of darkness and lightness ; one feels also a pronounced tension between Good and Evil in this work , as opposed to Crime and Punishment ( 1866 ) , where these forces now amalgamate with the tension between free will and ...
Seite 25
... forces friends and a woman to desert him and to despise him further . Chiaroscuro , the dramatic contrast between lights and darks , is also utilized through the literary technique of paradox . According to critic Richard Peace , the ...
... forces friends and a woman to desert him and to despise him further . Chiaroscuro , the dramatic contrast between lights and darks , is also utilized through the literary technique of paradox . According to critic Richard Peace , the ...
Seite 29
... forces exist independently , and we , the readers , must make our choices for redemption . How apropos to conclude this chapter on a similar Biblical perspective which juxta- poses both forces , compromises neither , and allows us to ...
... forces exist independently , and we , the readers , must make our choices for redemption . How apropos to conclude this chapter on a similar Biblical perspective which juxta- poses both forces , compromises neither , and allows us to ...
Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime and | 7 |
Franz Kafkas The Castle and | 31 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor hand heavy illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph 1992 Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Rights Reserved seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young