Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 28
... darks / lights , reminds one of a similar picture of Raskolnikov clutching Sonia '
s New Testament in his Siberian prison cell and of the underground man rushing
into the night , in heavy snow , searching for Liza and begging for forgiveness .
... darks / lights , reminds one of a similar picture of Raskolnikov clutching Sonia '
s New Testament in his Siberian prison cell and of the underground man rushing
into the night , in heavy snow , searching for Liza and begging for forgiveness .
Seite 36
In the village Kafka finds the walking laborious because “ here the heavy
snowdrifts reached right up to the cottage windows and began again on the low
roofs , but on the hill everything soared light and free into the air , or at least so it ...
In the village Kafka finds the walking laborious because “ here the heavy
snowdrifts reached right up to the cottage windows and began again on the low
roofs , but on the hill everything soared light and free into the air , or at least so it ...
Seite 77
Through the contrast of the complementary hues ( blues / oranges ) and shapes (
horizontals versus diagonals ) , the artist emphasizes the clearness of water ( soft
relief ) as opposed to the rippled , moved background of sea ( heavy ...
Through the contrast of the complementary hues ( blues / oranges ) and shapes (
horizontals versus diagonals ) , the artist emphasizes the clearness of water ( soft
relief ) as opposed to the rippled , moved background of sea ( heavy ...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
Verweise auf dieses Buch
A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |