Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 26
... personal period of darkness and his continual struggle with damnation and
hope appear in his novels . For instance , there exists also tonal imagery in the
text under scrutiny . Especially in Part II , dealing with 26 PAINTING LITERATURE
.
... personal period of darkness and his continual struggle with damnation and
hope appear in his novels . For instance , there exists also tonal imagery in the
text under scrutiny . Especially in Part II , dealing with 26 PAINTING LITERATURE
.
Seite 77
For instance , The Bridge at Argenteuil ( 1874 ) , depicting an old ferryman ' s
house converted to a popular cafe , appears like a villa out of the trees . Through
the contrast of the complementary hues ( blues / oranges ) and shapes (
horizontals ...
For instance , The Bridge at Argenteuil ( 1874 ) , depicting an old ferryman ' s
house converted to a popular cafe , appears like a villa out of the trees . Through
the contrast of the complementary hues ( blues / oranges ) and shapes (
horizontals ...
Seite 86
For instance , after his first death ( or that of the impostor ) he deceives himself ,
believing that peace reigned over his territory and that nothing was wrong . “ . . .
He looked at the future with the magical idea that came to him that the trouble
with ...
For instance , after his first death ( or that of the impostor ) he deceives himself ,
believing that peace reigned over his territory and that nothing was wrong . “ . . .
He looked at the future with the magical idea that came to him that the trouble
with ...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
Verweise auf dieses Buch
A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |