Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorUniversity Press of America, 1993 - 112 Seiten This book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 56
... leaving this second family in distress . The father attempts to rebuild his life ( along with that of the Son who had remained with him ) and that of his real wife and three homeless children amidst accusations of sexual impropriety ...
... leaving this second family in distress . The father attempts to rebuild his life ( along with that of the Son who had remained with him ) and that of his real wife and three homeless children amidst accusations of sexual impropriety ...
Seite 57
... leaving a " holy family " : Mother , Father , and remaining Son . Imagery of the Garden and Foun- tain are juxtaposed . Also , the spiritual number three ( of the Trinity ) is used as a pronounced structural element . For instance ...
... leaving a " holy family " : Mother , Father , and remaining Son . Imagery of the Garden and Foun- tain are juxtaposed . Also , the spiritual number three ( of the Trinity ) is used as a pronounced structural element . For instance ...
Seite 101
... leaving a more caring , community - oriented figure at the finale . Likewise , Dostoevsky's hero , Raskolnikov in Crime and Punishment , builds himself through visages of Napoleon and romantic glory . Yet , he real- izes , as does the ...
... leaving a more caring , community - oriented figure at the finale . Likewise , Dostoevsky's hero , Raskolnikov in Crime and Punishment , builds himself through visages of Napoleon and romantic glory . Yet , he real- izes , as does the ...
Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime and | 7 |
Franz Kafkas The Castle and | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor hand heavy illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph 1992 Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Rights Reserved seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young