Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorUniversity Press of America, 1993 - 112 Seiten This book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 57
... mirror of life , resembles the stage or mirror of selfhood . The major dilemma for all of these alienated , weird figures is not only their search for self - realization on stage through an author , but also their frustration of self ...
... mirror of life , resembles the stage or mirror of selfhood . The major dilemma for all of these alienated , weird figures is not only their search for self - realization on stage through an author , but also their frustration of self ...
Seite 58
... mirror showing the individual a reflection of his own image which he cannot recognize . The mirror in the case of these phantom , embryonic characters , is dramatic art itself , which distorts and deforms life . ( Starkie 1926,222 ) ...
... mirror showing the individual a reflection of his own image which he cannot recognize . The mirror in the case of these phantom , embryonic characters , is dramatic art itself , which distorts and deforms life . ( Starkie 1926,222 ) ...
Seite 60
... mirror of life ( or a kaleidoscopic collage - painting ) : In that mirror , which is first and foremost the mirror of his own creative personality , Pirandello has embodied the notion that " life's a stage " and has taught us how to see ...
... mirror of life ( or a kaleidoscopic collage - painting ) : In that mirror , which is first and foremost the mirror of his own creative personality , Pirandello has embodied the notion that " life's a stage " and has taught us how to see ...
Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime and | 7 |
Franz Kafkas The Castle and | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor hand heavy illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph 1992 Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Rights Reserved seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young