Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorUniversity Press of America, 1993 - 112 Seiten This book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 34
... temporal elements intermingle , the climax is never realized , and even “ the Castle " is as blurred as K.'s goal in wanting to reach it . However , ironically , Kafka like Leonardo achieves a sense of relief 34 PAINTING LITERATURE.
... temporal elements intermingle , the climax is never realized , and even “ the Castle " is as blurred as K.'s goal in wanting to reach it . However , ironically , Kafka like Leonardo achieves a sense of relief 34 PAINTING LITERATURE.
Seite 57
... never truly capture the inner - consciousness or the gestures / feelings of the assorted tragic characters of actuality . Critic Starkie , referring to the part of the play where the Father challenges the leading man and the Manager ...
... never truly capture the inner - consciousness or the gestures / feelings of the assorted tragic characters of actuality . Critic Starkie , referring to the part of the play where the Father challenges the leading man and the Manager ...
Seite 59
... never - changing illusion or the universal human tragedy . However , ac- cording to Pirandello in " The Writer on His Work , " even if one could find an actor who would strip himself of selfhood and enter totally into the character's ...
... never - changing illusion or the universal human tragedy . However , ac- cording to Pirandello in " The Writer on His Work , " even if one could find an actor who would strip himself of selfhood and enter totally into the character's ...
Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime and | 7 |
Franz Kafkas The Castle and | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor hand heavy illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph 1992 Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Rights Reserved seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young