Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 35
There seems to be a modeling , although subtle , of a new direction and a new
commitment to faith in oneself and in his / her community . Starting with “ the
Castle , ” it is a nebulous area of space ( analogous to Canaan which is
segregated ...
There seems to be a modeling , although subtle , of a new direction and a new
commitment to faith in oneself and in his / her community . Starting with “ the
Castle , ” it is a nebulous area of space ( analogous to Canaan which is
segregated ...
Seite 38
Sometimes , it seems that K . is more infatuated with the chase than the actual
capture because he does not seem to mind assuming a janitorial position
alongside Frieda at a school or to share a dwelling with Pepi , Frieda ' s taproom
...
Sometimes , it seems that K . is more infatuated with the chase than the actual
capture because he does not seem to mind assuming a janitorial position
alongside Frieda at a school or to share a dwelling with Pepi , Frieda ' s taproom
...
Seite 41
... in the need for spiritual affirmation or recognition of the divine , as obtained by
the exhausted , dying K . In fact , Politzer in his article mentions that K . ' s entire
world seems deprived of reality , since his world consists of truths and illusions .
... in the need for spiritual affirmation or recognition of the divine , as obtained by
the exhausted , dying K . In fact , Politzer in his article mentions that K . ' s entire
world seems deprived of reality , since his world consists of truths and illusions .
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
5 weitere Abschnitte werden nicht angezeigt.
Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
Verweise auf dieses Buch
A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |