Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 7
Commonly associated with this painting technique which explored the effects of
light and shade with intermediate tints of ... Leonardo da Vinci , an earlier and
renowned contributor to the play with contrasting lights and shades , mentions in
his ...
Commonly associated with this painting technique which explored the effects of
light and shade with intermediate tints of ... Leonardo da Vinci , an earlier and
renowned contributor to the play with contrasting lights and shades , mentions in
his ...
Seite 27
... there are many scenes filled with contrasting tints and shades . For instance ,
after losing his hated comrades ( Zverkov , Ferfichkin , and others ) in a late night
, afterparty sleigh outing , the narrator enters a house of ill - repute , hoping to find
...
... there are many scenes filled with contrasting tints and shades . For instance ,
after losing his hated comrades ( Zverkov , Ferfichkin , and others ) in a late night
, afterparty sleigh outing , the narrator enters a house of ill - repute , hoping to find
...
Seite 31
For example , some critics concur that sfumato deals with subtle gradations of
tints ( lights ) and shades ( darks ) in modeling figures : Between light and shade
there is an intermediate state , something twofold , belonging to both , resembling
a ...
For example , some critics concur that sfumato deals with subtle gradations of
tints ( lights ) and shades ( darks ) in modeling figures : Between light and shade
there is an intermediate state , something twofold , belonging to both , resembling
a ...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
Verweise auf dieses Buch
A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |