Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 27
Dostoevsky paints the scene as follows : It was a still night and the snow was
coming down in masses and falling almost perpendicularly , covering the
pavement and the empty street as though with a pillow . . . . The street lamps
gave a ...
Dostoevsky paints the scene as follows : It was a still night and the snow was
coming down in masses and falling almost perpendicularly , covering the
pavement and the empty street as though with a pillow . . . . The street lamps
gave a ...
Seite 28
forgiveness , he beats the poor peasant sled - driver to “ speed him on " while
dirty snow is falling . Then in chapter six the disgusting , dingy snow is still falling
when the Underground Man indulges in Liza , the prostitute , for the first time ;
later ...
forgiveness , he beats the poor peasant sled - driver to “ speed him on " while
dirty snow is falling . Then in chapter six the disgusting , dingy snow is still falling
when the Underground Man indulges in Liza , the prostitute , for the first time ;
later ...
Seite 35
Starting with “ the Castle , ” it is a nebulous area of space ( analogous to Canaan
which is segregated from and protected by the desert of sand ) , and it is
separated / protected by a desert of snow , reached only on foot ( 234 ) . As the
would ...
Starting with “ the Castle , ” it is a nebulous area of space ( analogous to Canaan
which is segregated from and protected by the desert of sand ) , and it is
separated / protected by a desert of snow , reached only on foot ( 234 ) . As the
would ...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
Verweise auf dieses Buch
A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |