Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorThis book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 25
Chiaroscuro , the dramatic contrast between lights and darks , is also utilized
through the literary technique of paradox . According to critic Richard Peace , the
underground man seems to imply that man must be free to choose even if it
means ...
Chiaroscuro , the dramatic contrast between lights and darks , is also utilized
through the literary technique of paradox . According to critic Richard Peace , the
underground man seems to imply that man must be free to choose even if it
means ...
Seite 76
These artists painted their canvases outdoors utilizing quick , small brushstrokes
loaded with bright , unmixed colors , trying to ... Vincent van Gogh , for example ,
heavily utilized impasto for textural play which simultaneously was a means to ...
These artists painted their canvases outdoors utilizing quick , small brushstrokes
loaded with bright , unmixed colors , trying to ... Vincent van Gogh , for example ,
heavily utilized impasto for textural play which simultaneously was a means to ...
Seite 77
... utilized dabs or dots in combination with a highly complicated and scientific
value system . As illustration , his Gleaner ( 1881 - 82 ) is a black chalk drawing
emphasizing the lightening function of white ; his Men Walking in a Field ( 1883 )
is a ...
... utilized dabs or dots in combination with a highly complicated and scientific
value system . As illustration , his Gleaner ( 1881 - 82 ) is a black chalk drawing
emphasizing the lightening function of white ; his Men Walking in a Field ( 1883 )
is a ...
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Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime | 7 |
Franz Kafkas The Castle | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Author Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor heavy illusion illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked man's means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Reserved Rights seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young
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A Franz Kafka Encyclopedia Richard T. Gray,Ruth V. Gross,Rolf J. Goebel,Clayton Koelb Keine Leseprobe verfügbar - 2005 |