Painting Literature: Dostoevsky, Kafka, Pirandello, and García Márquez in Living ColorUniversity Press of America, 1993 - 112 Seiten This book aims at extending artistic methods and terminology to the realm of literature. Pedoto primarily explores four important painting techniques: chiaroscuro, sfumato, incollato, and impasto. She demonstrates how they are used to paint selected literary masterpieces and illustrates the process of creation and the continual challenge to the reader's sense of "actuality." Contents: Introduction; Fyodor Dostoevsky's Crime and Punishment and Notes from Underground through Chiaroscuro and High Renaissance/Baroque Period; Franz Kafka's The Castle and "The Metamorphosis" through Sfumato and Leonardo da Vinci; Luigi Pirandello's Six Characters in Search of an Author and Liola through Incollato and Picasso's Cubism; Gabriel GarcÌa M-rquez's The Autumn of the Patriarch and "The Handsomest Drowned Man in the World" through Impasto and French Impressionism; Conclusion. |
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Seite 4
... writing / reason for writing - mainly for catharsis and for sheer boredom - and chal- lenge the " reader " into a continual philosophical exchange of opinion ? Kafka's The Castle , too , is also a self - referential text : the format ...
... writing / reason for writing - mainly for catharsis and for sheer boredom - and chal- lenge the " reader " into a continual philosophical exchange of opinion ? Kafka's The Castle , too , is also a self - referential text : the format ...
Seite 84
... writing of the novel in order not to lose the sense of regional atmosphere ( 95 ) . According to García Márquez , " the dictator is the only mythological figure that Latin America has produced " ( 95 ) . The Patriarch is a composite of ...
... writing of the novel in order not to lose the sense of regional atmosphere ( 95 ) . According to García Márquez , " the dictator is the only mythological figure that Latin America has produced " ( 95 ) . The Patriarch is a composite of ...
Seite 94
... writing of myth from a " folklore science - fiction " sort of form ( 136 ) . According to the novelist himself ( in view of this approach to writing fiction ) , " Nobody'd ever told me you could do this ! So it can be done ! .. That's ...
... writing of myth from a " folklore science - fiction " sort of form ( 136 ) . According to the novelist himself ( in view of this approach to writing fiction ) , " Nobody'd ever told me you could do this ! So it can be done ! .. That's ...
Inhalt
ACKNOWLEDGMENTS | 1 |
Fyodor Dostoevskys Crime and | 7 |
Franz Kafkas The Castle and | 31 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According actual appears artistic attempts audience Autumn becomes called canvas Castle Characters in Search chiaroscuro child color continual contrast created Crime and Punishment critic dark deals death divine Dostoevsky drama early effect elements especially Evil example existence fact famous fantastical Father feeling fiction figure Finally further Furthermore García Márquez Gregor hand heavy illustration impasto important instance Italian Italy Kafka layers leaving Leonardo light Likewise Liolà literary Literature lives Liza looked means mirror mother multiple murder myth night Notes novel painting Patriarch perhaps perspectives photograph 1992 Picasso picture pieces Pirandello play poor presentation protagonist Raskolnikov readers reality Resembling Rights Reserved seems sense sfumato shades sister Six Characters snow society spiritual stage Stepdaughter story struggle suggests technique Underground University utilized versus village wife women writing yellow young