Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 136
... Comedy of Errors KOCHOANDUODADIČ S 142. For further information on the critical and stage history of The Comedy of Errors , see SC , Volumes 1 , 26 , and 34 . INTRODUCTION Until recently , the predominating critical evaluation of The Comedy ...
... Comedy of Errors KOCHOANDUODADIČ S 142. For further information on the critical and stage history of The Comedy of Errors , see SC , Volumes 1 , 26 , and 34 . INTRODUCTION Until recently , the predominating critical evaluation of The Comedy ...
Seite 175
... Errors elements of an antique ' paganism ' to which we should not be blinded by the recognition of the play's general moral soundness . And the familiar world . could scarcely be more completely defamiliarized than it is ... COMEDY OF ERRORS.
... Errors elements of an antique ' paganism ' to which we should not be blinded by the recognition of the play's general moral soundness . And the familiar world . could scarcely be more completely defamiliarized than it is ... COMEDY OF ERRORS.
Seite 199
... Comedy of Errors is immediately perceptible " ( p . 37 ) . " All we have to do is grasp the broadly absurd situation , and follow the ingenious fugue of the plot . To get the point , nothing beyond mental alertness of an ... COMEDY OF ERRORS.
... Comedy of Errors is immediately perceptible " ( p . 37 ) . " All we have to do is grasp the broadly absurd situation , and follow the ingenious fugue of the plot . To get the point , nothing beyond mental alertness of an ... COMEDY OF ERRORS.
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words