Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 30
Seite 317
... Julia part , Julia specifies this danger : Pro . When possibly I can , I will return . Jul . If you turn not , you will return the sooner . If Sidney would grant that a play might be made out of twenty mad antics on the theme of turn or ...
... Julia part , Julia specifies this danger : Pro . When possibly I can , I will return . Jul . If you turn not , you will return the sooner . If Sidney would grant that a play might be made out of twenty mad antics on the theme of turn or ...
Seite 338
... Julia , the subject of their conversation and pity . But the laudable qualities Silvia has conferred on absent Julia in fact appear to be identical expressions of the praise Sebastian ( who is now alone , and therefore , once more , Julia ) ...
... Julia , the subject of their conversation and pity . But the laudable qualities Silvia has conferred on absent Julia in fact appear to be identical expressions of the praise Sebastian ( who is now alone , and therefore , once more , Julia ) ...
Seite 340
... Julia , and Silvia , the other major figures of the plot . Indeed , Proteus ' actions are even more exaggerated than those of Valentine . In his initial appearance he describes his victimization by love and takes sorrowful leave of his ...
... Julia , and Silvia , the other major figures of the plot . Indeed , Proteus ' actions are even more exaggerated than those of Valentine . In his initial appearance he describes his victimization by love and takes sorrowful leave of his ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words