Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 110
... King Lear , p . 6 . 19. In what follows I attempt to see the play from the viewpoint of a spectator who knows nothing of King Lear in order to recover something of its initial effect . I am indebted to Marvin Rosenberg's concept of the ...
... King Lear , p . 6 . 19. In what follows I attempt to see the play from the viewpoint of a spectator who knows nothing of King Lear in order to recover something of its initial effect . I am indebted to Marvin Rosenberg's concept of the ...
Seite 114
... King Lears but the King Lear familiar to students of the play and , at least in this century , familiar to playgoers for whom ad hoc abbreviations of the edited conflation are played . This essay - an essay not on the greatness of ...
... King Lears but the King Lear familiar to students of the play and , at least in this century , familiar to playgoers for whom ad hoc abbreviations of the edited conflation are played . This essay - an essay not on the greatness of ...
Seite 265
... KING . Say to her we have measur'd many miles To tread a measure with her on this grass . BOYET . They say that they have measur'd many a mile To tread a measure with you on this grass . [ 5.2.178-87 ] Even the intended symmetrical ...
... KING . Say to her we have measur'd many miles To tread a measure with her on this grass . BOYET . They say that they have measur'd many a mile To tread a measure with you on this grass . [ 5.2.178-87 ] Even the intended symmetrical ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words