Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 89
... appears in this group and contributes to the shapes of the final scenes is simple acquisitiveness , or the will to power . All of them have it except Albany , who is only too eager to give his power and responsibility away ...
... appears in this group and contributes to the shapes of the final scenes is simple acquisitiveness , or the will to power . All of them have it except Albany , who is only too eager to give his power and responsibility away ...
Seite 107
... appear by the third sound of the trumpet ' . " The trumpet sounds , but no one appears . As Albany is about to step forward , a trumpet sounds within and a man in armour enters . A spectator unfamiliar with the play may guess this is ...
... appear by the third sound of the trumpet ' . " The trumpet sounds , but no one appears . As Albany is about to step forward , a trumpet sounds within and a man in armour enters . A spectator unfamiliar with the play may guess this is ...
Seite 190
... appears fantastical . By not removing the play's action to a magical island or forest , Shakespeare stresses the essence of nightmare : the imagined fulfillment of repressed fears and desires in everyday reality . Thus , while the ...
... appears fantastical . By not removing the play's action to a magical island or forest , Shakespeare stresses the essence of nightmare : the imagined fulfillment of repressed fears and desires in everyday reality . Thus , while the ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words