Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 106
... audience , the sight of a man damning his soul with a blessing on his lips must have had an impact it is hard for us to imagine . At this point , then , perhaps the spectators are not struck by the ' grotesque comedy ' , but terrified ...
... audience , the sight of a man damning his soul with a blessing on his lips must have had an impact it is hard for us to imagine . At this point , then , perhaps the spectators are not struck by the ' grotesque comedy ' , but terrified ...
Seite 113
... audience to supply " Cordelia " to complete the interrupted phrase " from the heart of . " When the gentleman does explain his distress - and when the play ambles on to sum up the careers of Goneril and Regan - the audience , though of ...
... audience to supply " Cordelia " to complete the interrupted phrase " from the heart of . " When the gentleman does explain his distress - and when the play ambles on to sum up the careers of Goneril and Regan - the audience , though of ...
Seite 145
... audience , so they continually try to make logical sense out of the confused welter , the discontinuity , of their experiences . They construct hypotheses to account for others ' strange , inconsistent behavior , blaming it on jest ...
... audience , so they continually try to make logical sense out of the confused welter , the discontinuity , of their experiences . They construct hypotheses to account for others ' strange , inconsistent behavior , blaming it on jest ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words