Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 6
... beginning . Allen apportions the fullest coverage to the opening scenes of Macbeth , which he judges to be the most dense and profound of all Shakespeare's beginnings . ] The Greek cosmologists first brought the experience of hu- man ...
... beginning . Allen apportions the fullest coverage to the opening scenes of Macbeth , which he judges to be the most dense and profound of all Shakespeare's beginnings . ] The Greek cosmologists first brought the experience of hu- man ...
Seite 17
... beginning the pace is precipitous , the mode questioning , the reorientations sudden and unex- pected ; our ability to interpret each word and gesture is constantly subject to revision or reversal , our understand- ing of what is going ...
... beginning the pace is precipitous , the mode questioning , the reorientations sudden and unex- pected ; our ability to interpret each word and gesture is constantly subject to revision or reversal , our understand- ing of what is going ...
Seite 18
... beginning ; in others the end will be only dimly descried and then perhaps only after we retrospectively retrace our steps to look at the beginning more closely in light of what we have subsequently learned ; in still others we may be ...
... beginning ; in others the end will be only dimly descried and then perhaps only after we retrospectively retrace our steps to look at the beginning more closely in light of what we have subsequently learned ; in still others we may be ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words