Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 44
... conclusions of his plays . By conclusion , I mean the entire last section of a show . In the Elizabethan and Jacobean theater , that usu- ally means the last scene . Shakespeare's last scenes vary considerably in length . They run from ...
... conclusions of his plays . By conclusion , I mean the entire last section of a show . In the Elizabethan and Jacobean theater , that usu- ally means the last scene . Shakespeare's last scenes vary considerably in length . They run from ...
Seite 103
... conclusions to the man who argued the play was ' too huge for the stage ' . ' Much less ironic is the fact that while I find most of Rei- betanz's commentary thoroughly convincing , it leads me to an exactly opposite conclusion . 5 This ...
... conclusions to the man who argued the play was ' too huge for the stage ' . ' Much less ironic is the fact that while I find most of Rei- betanz's commentary thoroughly convincing , it leads me to an exactly opposite conclusion . 5 This ...
Seite 225
... conclusion . For Montrose , the lack of dramatic reconciliation on the level of story and theme are in some sense surmounted by the play's closing songs , which introduce concepts of the harmony of nature and the end of human discord ...
... conclusion . For Montrose , the lack of dramatic reconciliation on the level of story and theme are in some sense surmounted by the play's closing songs , which introduce concepts of the harmony of nature and the end of human discord ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words