Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 85
... death , his or her spiritual or emotional isolation , the establish- ment of a new order in the world of the play ... Death , at least , is common to the endings of Shakespeare's tragedies . However different the particular forms ...
... death , his or her spiritual or emotional isolation , the establish- ment of a new order in the world of the play ... Death , at least , is common to the endings of Shakespeare's tragedies . However different the particular forms ...
Seite 86
... death , one way or the other . He neither avoids it nor seeks it . Death catches Lear by surprise as it does no other tragic figure , so much so that he never even realizes that he is dying . He is the only one , in fact , who can be ...
... death , one way or the other . He neither avoids it nor seeks it . Death catches Lear by surprise as it does no other tragic figure , so much so that he never even realizes that he is dying . He is the only one , in fact , who can be ...
Seite 104
... death . The possibilities open up a variety of interpretations . A Lear who believes Cordelia is alive may be transcending earthly limitations , suffering under the final self - deception of a man who still ' but slenderly ' knows ...
... death . The possibilities open up a variety of interpretations . A Lear who believes Cordelia is alive may be transcending earthly limitations , suffering under the final self - deception of a man who still ' but slenderly ' knows ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words