Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 98
... father and old Fortinbras , which Hora- tio describes at the play's opening ( I.i. 80-95 ) . While the fathers ... father , will at the play's close enter to take the crown his father could not win . Thus the conventional return to order ...
... father and old Fortinbras , which Hora- tio describes at the play's opening ( I.i. 80-95 ) . While the fathers ... father , will at the play's close enter to take the crown his father could not win . Thus the conventional return to order ...
Seite 99
... father and with the character of the proper avenger . Yet while Fortin- bras is certainly an avenging son , his claim is the weakest of the three . His father , unlike Hamlet's or Laertes ' , died in honorable fashion in a fair ...
... father and with the character of the proper avenger . Yet while Fortin- bras is certainly an avenging son , his claim is the weakest of the three . His father , unlike Hamlet's or Laertes ' , died in honorable fashion in a fair ...
Seite 100
... father in his sleep , Claudius deprived him of the chance to confess his sins and thus to rest quietly in his grave . Forced to wander as a ghost , Hamlet's father seeks to " restore " his good name and to find a proper home for body ...
... father in his sleep , Claudius deprived him of the chance to confess his sins and thus to rest quietly in his grave . Forced to wander as a ghost , Hamlet's father seeks to " restore " his good name and to find a proper home for body ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words