Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 252
... ladies , he concludes with less - than - perfect logic , share the love as well as the accompanying error . On truthfulness , the issue for which the men cannot deny responsibility and past failure , Berowne gives a rhetorically ...
... ladies , he concludes with less - than - perfect logic , share the love as well as the accompanying error . On truthfulness , the issue for which the men cannot deny responsibility and past failure , Berowne gives a rhetorically ...
Seite 280
... ladies do not appear to have been exactly indifferent to the charms of the book- men from the very beginning . All these gallants are held , in the opinion of the French young ladies at all events , to be great wits . Maria knows that ...
... ladies do not appear to have been exactly indifferent to the charms of the book- men from the very beginning . All these gallants are held , in the opinion of the French young ladies at all events , to be great wits . Maria knows that ...
Seite 283
... ladies ( II . i . ) there are two teasing exchanges between Berowne and a Lady called Katharine in Q and Rosaline in F , and the same lady ( or another ? it is impos- sible to tell ) named alternately Rosaline and Katharine by Boyet in ...
... ladies ( II . i . ) there are two teasing exchanges between Berowne and a Lady called Katharine in Q and Rosaline in F , and the same lady ( or another ? it is impos- sible to tell ) named alternately Rosaline and Katharine by Boyet in ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words