Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 45
... performance . Because clos- ing involves all these factors , it is extremely difficult to determine exactly when a performance ends . Is it when the last words of the text are spoken ? When the last gesture is made ? When the leading ...
... performance . Because clos- ing involves all these factors , it is extremely difficult to determine exactly when a performance ends . Is it when the last words of the text are spoken ? When the last gesture is made ? When the leading ...
Seite 201
... performance , character becomes , we might say , a matter of the mechanics of exteriority . Of course , this idea of theatrical character is hardly new : the term " character " itself springs from " xapατT - Eɩv , " to inscribe or wound ...
... performance , character becomes , we might say , a matter of the mechanics of exteriority . Of course , this idea of theatrical character is hardly new : the term " character " itself springs from " xapατT - Eɩv , " to inscribe or wound ...
Seite 209
... performance comes closest to the real thing , as in the progress to the Lord Mayor's house and back , a " Shew " that " was very stately and orderly performed " ( p . 57 ) . The Prince's progress back home actually fooled some ...
... performance comes closest to the real thing , as in the progress to the Lord Mayor's house and back , a " Shew " that " was very stately and orderly performed " ( p . 57 ) . The Prince's progress back home actually fooled some ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words