Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 96
... Perhaps we are supposed to see what he is ( a young man ) rather than who he is . Or perhaps we would see that his coat of arms identifies him with Old Siward . In V.vii , when Young Siward's death is reported , the point is made that ...
... Perhaps we are supposed to see what he is ( a young man ) rather than who he is . Or perhaps we would see that his coat of arms identifies him with Old Siward . In V.vii , when Young Siward's death is reported , the point is made that ...
Seite 117
... perhaps out of fear for their lives , perhaps out of fear for their jobs , or perhaps , like too many of us , out of the thoughtlessness about such things that being around them all the time leads to . And yet they act at this point ...
... perhaps out of fear for their lives , perhaps out of fear for their jobs , or perhaps , like too many of us , out of the thoughtlessness about such things that being around them all the time leads to . And yet they act at this point ...
Seite 118
... perhaps would not draw a sword and jump to Lear's defense , as the First Servant does for Gloucester ; we cannot and perhaps would not even risk our lives to bring him medicine , as the other two servants do for Gloucester ; we do not ...
... perhaps would not draw a sword and jump to Lear's defense , as the First Servant does for Gloucester ; we cannot and perhaps would not even risk our lives to bring him medicine , as the other two servants do for Gloucester ; we do not ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words