Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 136
... play that did no justice to the talent evident in Shakespeare's later comedies . This dismissal has been reconsidered by contemporary critics who have begun to emphasize the continuities between The Comedy of Errors and Shakes- peare's ...
... play that did no justice to the talent evident in Shakespeare's later comedies . This dismissal has been reconsidered by contemporary critics who have begun to emphasize the continuities between The Comedy of Errors and Shakes- peare's ...
Seite 225
... play , opining that it suffers from weak and haphazard character- ization and a feeble plot . Indeed , few critics have felt that the play's strengths are to be found in its dramatic form . Many commentators , however , have noted that ...
... play , opining that it suffers from weak and haphazard character- ization and a feeble plot . Indeed , few critics have felt that the play's strengths are to be found in its dramatic form . Many commentators , however , have noted that ...
Seite 295
... play fraught with inconsistencies and marred by weak characterization and largely unmoti- vated reversals . As such the play , which was composed early in Shakespeare's career , has often been regarded as an example of the young ...
... play fraught with inconsistencies and marred by weak characterization and largely unmoti- vated reversals . As such the play , which was composed early in Shakespeare's career , has often been regarded as an example of the young ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words