Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 61
... references in lines 52-56 , continues the hunt imagery first introduced in the Induction and then reiterated in Petruchio's second soliloquy ( 4.1.188-196 ) . The play's commercial motif pervades the banquet scene in references to ...
... references in lines 52-56 , continues the hunt imagery first introduced in the Induction and then reiterated in Petruchio's second soliloquy ( 4.1.188-196 ) . The play's commercial motif pervades the banquet scene in references to ...
Seite 271
... references are not alien to the comic spirit . On the contrary , they occur frequently , as in all the monologues by nightclub entertainers that depend upon the audience's knowledge of ephemeral , usually political , events . It is easy ...
... references are not alien to the comic spirit . On the contrary , they occur frequently , as in all the monologues by nightclub entertainers that depend upon the audience's knowledge of ephemeral , usually political , events . It is easy ...
Seite 311
... references in the text to The Governor are to this edition . 9. Though not printed until 1611 , the scenario had probably been " used on the stage long before , " points out Geoffrey Bullough , ed . , Narrative and Dramatic Sources of ...
... references in the text to The Governor are to this edition . 9. Though not printed until 1611 , the scenario had probably been " used on the stage long before , " points out Geoffrey Bullough , ed . , Narrative and Dramatic Sources of ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words