Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 84
... Sense of an Ending , " Shakespearian Comedy , Stratford - upon - Avon Studies 14 , ed . Malcolm Bradbury and David Palmer ( London : Edward Arnold , 1972 ) , p . 167. Barton employs ideas developed by Frank Kermode in The Sense of an ...
... Sense of an Ending , " Shakespearian Comedy , Stratford - upon - Avon Studies 14 , ed . Malcolm Bradbury and David Palmer ( London : Edward Arnold , 1972 ) , p . 167. Barton employs ideas developed by Frank Kermode in The Sense of an ...
Seite 87
... sense of the scope of the tragic energy and , as far as the endings are concerned , a sense of the human possibilities we have lost in losing the tragic hero . In the course of the plays , disorder may be stirred up on one or more of ...
... sense of the scope of the tragic energy and , as far as the endings are concerned , a sense of the human possibilities we have lost in losing the tragic hero . In the course of the plays , disorder may be stirred up on one or more of ...
Seite 196
... sense of self - continuity and , hence , self - integration pos- sible . The play's development may be charted as the move- ment from a rigid , repressive sense of identity in the frame plot , through the main plot's temporary state of ...
... sense of self - continuity and , hence , self - integration pos- sible . The play's development may be charted as the move- ment from a rigid , repressive sense of identity in the frame plot , through the main plot's temporary state of ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words