Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 68
... speech makes of the vital and energetic Kate a simple reciter of truisms . Embedded in the speech is a dense tis- sue of Renaissance commonplaces about proper hierarchy in family and state and about the mutual duties , within that ...
... speech makes of the vital and energetic Kate a simple reciter of truisms . Embedded in the speech is a dense tis- sue of Renaissance commonplaces about proper hierarchy in family and state and about the mutual duties , within that ...
Seite 120
... speech ' , that speech ' is seldom given the at- tention it merits ' ; ' that is , the ' Soft you , a word or two ' speech . By now , that ' last speech ' has been much written on , usually with reference to Eliot's famous assessment of ...
... speech ' , that speech ' is seldom given the at- tention it merits ' ; ' that is , the ' Soft you , a word or two ' speech . By now , that ' last speech ' has been much written on , usually with reference to Eliot's famous assessment of ...
Seite 130
... speech of self - defense is longer in Brooke ( 77 lines , with yet further paraphrases ) than in Shakespeare ( 40 lines ) , but the real difference is in where the speech is delivered . In Shakespeare , the Friar and the corpses remain ...
... speech of self - defense is longer in Brooke ( 77 lines , with yet further paraphrases ) than in Shakespeare ( 40 lines ) , but the real difference is in where the speech is delivered . In Shakespeare , the Friar and the corpses remain ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words