Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 91
Seite 26
... stage . ' It might say on your ticket that the performance of Twelfth Night started at 7.30 , but even if one arrived at 7 p.m. precisely there sat Orsino , looking as if he'd been there all day , listening to the music which , thirty ...
... stage . ' It might say on your ticket that the performance of Twelfth Night started at 7.30 , but even if one arrived at 7 p.m. precisely there sat Orsino , looking as if he'd been there all day , listening to the music which , thirty ...
Seite 41
... stage , have been brought on earlier so that ( as has often been noticed ) Lear and his three daughters are all together on stage for the first time since the opening scene . It was perhaps to emphasize this visual effect that Shake ...
... stage , have been brought on earlier so that ( as has often been noticed ) Lear and his three daughters are all together on stage for the first time since the opening scene . It was perhaps to emphasize this visual effect that Shake ...
Seite 130
... stage , ( A thing that ill beseemde a man of silver heares ) . ( 11. 2825-27 ) " Upon a stage " ? How could Shakespeare have resisted it , especially when we see the heroes and heroines of later tragedies so frequently associated with a ...
... stage , ( A thing that ill beseemde a man of silver heares ) . ( 11. 2825-27 ) " Upon a stage " ? How could Shakespeare have resisted it , especially when we see the heroes and heroines of later tragedies so frequently associated with a ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words