Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 54Gale Research Company, 1984 |
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Seite 15
... true , not because of its own perspicacity but because of the King's waywardness . Ironically too , it is Gloucester who cannot detect a jot of difference between the King's affections : ' curiosity in neither can make choice of ...
... true , not because of its own perspicacity but because of the King's waywardness . Ironically too , it is Gloucester who cannot detect a jot of difference between the King's affections : ' curiosity in neither can make choice of ...
Seite 57
... true and part play - acting , brings out the secret only to delay revelation . The Duke's ironic rejection of her charges- . • it imports no reason That with such vehemency he should pursue Faults proper to himself . ( 5.1.108-10 ) -and ...
... true and part play - acting , brings out the secret only to delay revelation . The Duke's ironic rejection of her charges- . • it imports no reason That with such vehemency he should pursue Faults proper to himself . ( 5.1.108-10 ) -and ...
Seite 297
... true emotion ; such a case is in fact made in Love's Labor's Lost , when Petrarch and " painted rhetoric " retreat in the face of true love , sickness , and death . But given the artful yet obvious exposure of superficial codes and ...
... true emotion ; such a case is in fact made in Love's Labor's Lost , when Petrarch and " painted rhetoric " retreat in the face of true love , sickness , and death . But given the artful yet obvious exposure of superficial codes and ...
Inhalt
The Comedy of Errors | 136 |
Loves Labours Lost | 225 |
The Two Gentlemen of Verona | 295 |
Urheberrecht | |
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action Adriana Antipholus of Ephesus Antipholus of Syracuse Antony argues Armado audience become beginning Berowne Berowne's characters Claudius Cleopatra closure Comedy of Errors comic conventional Cordelia Costard courtiers critics death dramatic Dromio Duke Edgar Egeon Elizabethan ence Ephesians Ephesus epilogue fact farce father figure final scene friendship Gentlemen of Verona Hamlet hath hero human husband identity Julia King Lear ladies language Launce Lear's lines London lords Love's Labour's Lost lovers Luciana Macbeth marriage Measure for Measure Menaechmi ment Merchant of Venice Midsummer Night's Dream mimetic nature Navarre opening scene Othello perspective play play's playwright plot Princess Proteus relationship Renaissance rhetorical role romantic Romeo and Juliet Rosaline says seems sense sexual Shake Shakespeare Shakespeare's Comedies Shrew Silvia social songs speech stage story suggests theatrical thee thematic theme thou tion tragedy tragic Twelfth Night twins Valentine Valentine's wife words