The TempestHal Leonard Corporation, 1998 - 86 Seiten This joyous play, the last comedy of Shakespeare's career, sums up his stagecraft with a display of seemingly effortless skill. Prospero, exiled Duke of Milan, living on an enchanted island, has the opportunity to punish and forgive his enemies when he raises a tempest that drives them ashore--as well as to forestall a rebellion, to arrange the meeting of his daughter, Miranda, with an eminently suitable young prince, and, more important, to relinquish his magic powers in recognition of his advancing age. Richly filled with music and magic, romance and comedy, the play's theme of love and reconciliation offers a splendid feast for the senses and the heart. |
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... Anthonio , his sentence struc- tures are rhetorically balanced and still grammatical to modern eyes . Here , with Shylock , there are at least three benefits to dropping the sentence : the unusualness of the speech is immediately ...
... Anthonio , his sentence struc- tures are rhetorically balanced and still grammatical to modern eyes . Here , with Shylock , there are at least three benefits to dropping the sentence : the unusualness of the speech is immediately ...
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... Anthonio's barbed commentary on the rest of the marooned party , pp . 24-25 this text . If they are speaking prose , as suggested by The Arden Shakespeare , listed below , Appendix G , pp . 61-165 ; the Oxford Textual Companion , op ...
... Anthonio's barbed commentary on the rest of the marooned party , pp . 24-25 this text . If they are speaking prose , as suggested by The Arden Shakespeare , listed below , Appendix G , pp . 61-165 ; the Oxford Textual Companion , op ...
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... Anthonio , Prospero's treacherous usurping brother , pp . 31–35 in this text , II . 2.1.209–336 . If all nineteen of the modern split line assessments are fol- lowed , as well as the occasional modern metric restructurings of F1's ...
... Anthonio , Prospero's treacherous usurping brother , pp . 31–35 in this text , II . 2.1.209–336 . If all nineteen of the modern split line assessments are fol- lowed , as well as the occasional modern metric restructurings of F1's ...
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... Anthonio . And there is one grammatically horrible section modern texts cannot tolerate . Ferdinand arrives on the island believing he has lost his father , uncle , and friends in the shipwreck . Essentially , he is led in by Ariel's ...
... Anthonio . And there is one grammatically horrible section modern texts cannot tolerate . Ferdinand arrives on the island believing he has lost his father , uncle , and friends in the shipwreck . Essentially , he is led in by Ariel's ...
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Adrian altered Anthonio Anthonio Sebastian APPLAUSE Ariel Prospero beleeve Boteswaine brother Caliban cam'st Ceres character Cicely Berry comma commas marked compositor do's do'st Duke of Millaine Elizabethan ENTER ARIELL Exeunt Exit F2/most modern texts F3/most Father Ferdinand Ff set Ff's Ff/Qq Folio footnote Gonzalo grammatical hath hee's heere I'le i'th ISBN King Kristin Linklater line numbering line structure Lord magic major punctuation Marowitz Measure for Measure Midsummer Nights Dream Miranda Miranda Prospero modern texts indicate modern texts set modern texts suggest Monster Musicke Naples Neil Freeman o'th occasionally onstage pause play Playhouse copy printed prose Prospero Ariel Quarto Ralph Crane reader rhetoric scene script Sebastian Anthonio selfe sentence set a period short lines song sonne speech Spirit stage directions Stephano Trinculo strange Sycorax syllables Tempest texts will set Theatre theatrical thee Third Folio thou thought Tina Packer William Shakespeare word